Another Project Update

We have a locked off edit (as of Friday, I just forgot to mention it)! As editor, this makes me EXTREMELY happy. (If I find a convenient rooftop, I will shout from it until my voice goes!)

Of course, now we’ve just got to get a nice sound edit down, compress it and hand it in for…Wednesday. Gulp.

Either way, now it’s completely out of my hands, unless someone wants me to compress it with the final audio. Which I wouldn’t mind doing, actually. Me and Compressor are good pals, now. ProRes 422 (HQ)? No problem! Would you also like a YouTube/Vimeo compressed file with that? What about an iDevice copy so you can show it and brag to family members?

Project Update!

This term in university brings a new project, during which I am delighted to be working with some really talented crew on an interesting premise.

What is it?

Our task is to create a short (5 min) documentary on a London riot. We chose to cover the Old Price riots of 1809; a conflict between theater-goes and the theater owners over the price of tickets (amongst other things).

Who is involved?

The crew list shapes up as follows:

  • Lolita Sniega - Director
  • Bernard Domfe - Producer
  • Joseph Guy - Cinematographer
  • Amelia Springett (hey, that’s me!) - Editor
  • Sheik Ahmad - Sound Editor

Due to the small amount of crew involved, everyone is involved in research, and taking up minor secondary roles as necessary.

How’s it going?

After a long research and preproduction period, during which we visited some of London’s most illustrious museums and archives (the British Library in particular was extremely helpful) we have started gathering together materials.

We have been fortunate enough to work with a talented actor, James Brennan, to reenact scenes with John Kemble, the theater’s manager and a key figure within the riots. As this was our first major shoot together, and our only chance to work with the actor, nerves were, understandably, running high. This did not stop everyone involved from working professionally, efficiently, and with great enthusiasm.

Here’s to the next shoot!

So supposed to be learning how to edit…

(which, considering I’ve used FCP for two years and worked on a variety of short films and managed a large chunk of a 40-odd minute, multiple-plot-stranded nightmare of a production, I found just a tad simple…)

And this just happened.

Question to anyone who cares

Should I compact this and http://artymez.tumblr.com/ into one Tumblr, or just reblog the ‘important’ parts of the Arty Mez Tumblr?

I get the feeling people are following this blog because I’ve liked things and they’re expecting more fandom and arty things, and this is my ‘serious’ish film blog.

Any thoughts?

rafikiknowsall asked: Thank You Mez. Its true, it is what you make of it. But what do I make of it. Should I create a Creative Blog i which I outline ideas, thoughts etc? What do you think about your online presence. Should I make short Trailers of all my work?

I try and keep the (few) people who follow me informed of my creative work, whether through production pics, storyboards (actually, never done that), text, trailers, screencaps, teaser footage… I feel like I’m not doing enough of this right now, but if I had more free time I’d try and get all of that down. Think of it as an online diary for your creative work.

(Reblogged from maid-en-china)

The first brief of my university work (at the University of the Arts, London). I had to make a one minute, silent film, with no camera movement or focal length changes (zooming).

Honestly one of the most challenging things I’ve done as a filmmaker! It really makes you aware of camera movement when you aren’t allowed any.

(Reblogged from fuckyeahgladosandchell)

rafikiknowsall asked: Thank You mez. I dont have a great Phone and you have saved my life :)

What can I say, the iPhone saves the day! XD

rafikiknowsall asked: Thanks Mez for that. It's just an Idea a the moment. I have to Persuade my whole Family First lol Any other suggestions? Specially Photographic/Scenic ones

Most pictures in Rome itself are completely done to death (Coliseum, Garden of Vestal Virgins, etc.) and are very touristy, however, a short way out of Rome, there are the ruins of the old port, Ostia. It used to be the main way of importing/exporting goods in and out of Rome, so was very wealthy and prosperous. The ruins are looked after (I think by the Italian government, similar to our national heritage sites), so they’re remarkably well-preserved for millenia-old buildings that haven’t been covered by ash or lava until recently, but there’s still a few wild plants growing around. It also tends to be less crowded and peaceful than most tourist areas.

Also, are you set on Rome, or would the rest of Italy also do? Because Venice is wonderful all year round, and off the beaten path is a lot easier to get to when you can round a corner and be in a little alleyway with bridges! Not to mention Burano and Murano, islands a short distance away, famous for lace-making and glass-working respectively.

And in the south, there’s Sorrento, which is usually stayed in for it’s close proximity to Pompeii, Mount Vesuvius and Herculaneum (buried in the same eruption as Pompeii, but by lava rather than ash). Other Italians tend to go down there for the tourist-less beaches, though! There’s also the island of Capri, which is incredibly popular with the rich and famous, mainly because after a certain point, regular boats stop ferrying tourists, and only the people rich enough to afford to stay on the island do. There’s no natural water or electricity lines from the mainland, so water has to be shipped in/generators run, making it expensive to stay there overnight! They grow lemons over there, and their main exports are lemon flavoured/scented. Like white chocolate and lemon. Or Limoncello/Limoncino, which is a lemon-flavoured liquer, and the first thing I buy duty-free when I’m over there!

Well, there’s a starting point from my own experiences…(is it obvious how much I love Italy yet?)